Most of our films are cut, mixed and graded in our two edit suites at Underfall Yard. The main suite is acoustically treated and has calibrated monitors, so what we see and hear is what your audience will. Both run on Apple silicon, so long-form and high-resolution work turns round quickly.
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We also edit footage shot by others, and everything that leaves the building goes through quality-control software that checks it against the delivery specification for its destination, whether that is a website, a cinema or a broadcaster.